B+
Matchbox Twenty are back with their fourth studio album
North. As someone who has all Matchbox Twenty albums in their iTunes library, I
had high expectations for North before I heard it. It’s the first album with
all new songs since 2002 for the band so I was quite excited for the album to
come out, and, overall, North gets a better than average score for being what
Matchbox Twenty does best.
My first reaction to North is it combines the mainstream
rock sound of Matchbox Twenty, which we’ve heard for the past decade, and Rob
Thomas’ softer style from his solo career. I could distinguish between the two
following the release of Exile on Mainstream (Matchbox Twenty) and ...Something
to Be (Rob Thomas’ solo album) in mid 2000’s. However, North brings these two
sounds together, and, complete with all new songs, this mash up is what makes
the album good. North sounds more mature than Matchbox Twenty’s previous work
and there are moments which show Matchbox Twenty have definitely learned a
thing or two after being in this business for more than 15 years.
North starts with Parade,
which is classic, radio friendly Matchbox Twenty, and I like that the album
starts on such familiar ground as it eases us back into the band following their
absence. Overjoyed reminds me more of
Rob Thomas’ solo album, as it is slower and more soulful, concentrating on
lyrics rather than beat and tempo. Then, the two different sounds are bought
together in She’s So Mean, which was
also the first single Matchbox Twenty released off the album. It’s that feel
good song which they generally release first, you know, like How Far We’ve Come, but this time about
an upbeat track about a girl who doesn’t quite return the feelings.
Matchbox Twenty do their usual thing on North where all the
songs sound a bit different, mostly upbeat and easy to listen to, but they
conceal darker lyrics. Put Your Hands and
She’s So Mean are good examples here.
It’s something we’ve seen throughout all of Matchbox Twenty’s work (think Push off Yourself or Someone Like You).
This technique is, however, nicely combined with the maturity from the band, seen
in songs such as Like Sugar and I Will. They show how the band has grown over the years and talk about the
cynical nature of love which comes with growing older. I like that these songs
have a slightly slower tempo, rather than completely being masqueraded under a
pop track.
Overall, North is a good album to listen to and it has all
the right elements. Matchbox Twenty have never been a band to push boundaries
and they don’t here. Apart from sounding a bit more mature, North gives us the
Matchbox Twenty we know and love.
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